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I was thinking the other day about Gandalf in The Lord of the Rings. Gandalf is frequently referred to as a wizard but, as many have observed, he doesn’t really do much in the way of magic. Sure, his wand lights up, but so does my phone; not only that, but it could probably navigate me through Moria using Google Maps, and tell me the best place to get a pizza while I’m down there too. Gandalf doesn’t even produce an egg from the Lord of the Nazgûl’s ear, or saw Galadriel in half. So exactly what kind of a wizard is he?
Wick at Sunset
The word derives from the Old English wys, meaning of course “wise”: so a wizard was originally just a wise person. It’s the same sort of word as drunkard (a person who gets drunk), sluggard (the technical term for a botanist specialising in molluscs) and buzzard (a hawk that hums to itself to pass the time). It only seems to’ve taken on its modern meaning of a sorcerer in late medieval/ early modern times. Tolkien the philologist knew all this from the inside, which is doubtless why Gandalf is as much a counsellor as as he is a wizard. As for how he got started in life, I expect he went to Hogwarts like all the other magical children of his day (“You’re a wizard, Gandalf!”) where he was put in Gryffindor House (Saruman being a born Slytherin). Then on to Discworld’s Unseen University where he majored in making rings disappear.
(More) Snowdrops
After that it all gets a bit vague, though judging by many of the album covers of my youth I assume he started a prog rock band with Merlin and made it big in Germany for a while. The -alf ending in Gandalf, by the way, simply means “elf”. It’s the same root word that appears in Alfred (elf-ræd, or “elf counsel”, i.e., wise) and Alvin (elf-wine or elf friend). Still, however he started out, I like to think of Gandalf keeping up the party’s spirits on their quest to the Dark Lands with a few simple illusions, and of him sitting round the campfire of an evening inviting Boromir to pick a card, any card…
I’ve lost my arm!
TECHNICAL STUFF
Two milestones to note this week: first of all, I’ve started the yoke pattern, and I’ve just started the gussets. A word on the yoke. In order for it to fit, I’ve had to tweak the pattern to something shorter and wider than the original. As the lady is fond of cables I’ve inserted a few to act as borders between the various pattern banks—this way I can keep the proportion of the patterns to each other the same, and still extend the width of the jumper. Making it shorter is more challenging, because fewer rows in height inevitably leads to fewer stitches in width. However, as the original already truncates the centre pattern slightly for the collar, I’m going to follow suit; and will just knit the pattern until I reach the desired height and then stop, and hope it looks okay. (Fingers crossed…)
Finally this week, we’ve been sent photos of a very stylish gansey knitted by Sigrid in Germany. It’s a cardigan based on a Cornish knit-frock design, with moss stitch diamonds among other patterns. It looks great (and note the buttons, a nice touch); many congratulations to Sigrid and many thanks to her for sharing it with us!
It hardly seems fair, does it, that you slog your way through January, only to wake up one morning to find you’ve still got to negotiate February. It’s like seeing your numbers come up on the national lottery, and realising that you’re looking at last week’s ticket and you forgot to buy a new one. But still, there are sheep in the field at the end of the lane this week, and the Council are using up the roads budget by filling in a few of the worst potholes, two infallible signs that spring must be on its way.
Back in the day, the Romans didn’t bother with months during winter, and you can understand why: it’s all a bit samey, grey, dark, and cold. You might as well call the winter months Grim-months One, Two and Three and be done with it. Still, eventually they cracked and King Numa Pompilius invented February around 713 BC. The month takes its name from the festival of Februa, a time when people were ritually washed, and I still honour this ritual to this day: I take a bath once a year, whether I need one or not. (I think old King Numa probably first made that joke, probably at the same time as announcing he’d created the month.)
Fishing boat next to the Herring Mart
The Anglo-Saxons had their own name for it, Solmōnaþ (Sol-monath). The “sol” element could mean sun, mud or cakes baked in the hearth, all of which are possible: February is notoriously muddy, and the Anglo-Saxons did bake cakes, although the wonders of a Victoria sponge still lay in the distant future (n.b., here’s an idea for a short-lived tv show: The Great Anglo-Saxon Bake-Off, using only ingredients available in 800 AD). Historians usually breezily dismiss the “sun” option, though, because England isn’t known for its sunshine at this time of year, but I’m not so sure. It’s about now that I start to notice the days really getting longer, so maybe they named it that in a spirit of hope, of “Don’t give up now, lads, we’re nearly there”. Incidentally, another Old English name for February was Kale-monath, or “cabbage month”, which our local Indian takeaway sadly seems to have adopted as a default for all its vegetarian options.
Incidentally, one of my favourite John Lennon anecdotes comes from this time of year. The Beatles had just returned on 5th February 1964 from a series of concerts in Paris, and had to face the usual barrage of inane questions from the press. One of the more jaw-dropping related to the University of Detroit adopting a Stamp Out The Beatles movement: “They say your haircuts are un-American”. To which Lennon replied with faultless logic, “Well, it was very observant of them because we aren’t American, actually…”
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TECHNICAL STUFF
Milestone number one: I’ve reached the top of the body ribbing and am now footling about with the border chevron, a sort of amuse-bouche before we start the main course of the yoke pattern. As this gansey is for a lady who is not as tall as I, I’ve had to make some adjustments to the length of the various pattern elements. So I’ve made the body ribbing and chevron a little narrower, and will hopefully still be able to fit in most of the yoke.
Finally, a big thank you to the charming ladies of Killimster Women’s Institute for making Margaret and me so welcome last week when I gave a talk on ganseys and the herring fishing, and for braving the horrible weather—the rain was drumming so hard on the roof at one point I found myself wondering if it was too late to start rounding up animals two by two. My only regret—and this is true of life as a whole, not just last Thursday night—is that I had to leave so many of the amazing cakes they’d prepared untasted…
When did the British lose their stiff upper lips? Not that I ever really had one: when exposed to pain—a crushing handshake, say, or the news that a tooth needs a filling—I tend to scream unnervingly like Donald Sutherland at the end of Invasion of the Body Snatchers and display all the bodily self-control of someone stepping on a landmine. But the British as a whole have long been held up as the inheritors of a sort of Roman stoic discipline, and I’ve seen it persuasively argued that this stems from the English Civil War, i.e., that the people of Britain saw where passionate convictions led to, and so decided for the next 350 years not to have any. No longer. Nowadays we don’t so much wear our hearts on our sleeves as take photos of them and post them on Instagram, blood, arteries and all.
Swirl of tulips
This is most obvious in sports commentary. Once upon a time we made tv programmes to laugh at excitable foreigners, now even football commentary sounds like it’s being delivered by a Dalek who’s ingested something dangerously chemical before the match began and it’s just kicking in: “And Scrunt on the outside of the box goes past one defender, goes past another, puts in a high cross and Blotch heads it in! It’s gone in! He’s scored! And OHMYGOD THE COLOURS AND FLASHING LIGHTS! It’s, I can’t believe this, it’s an actual alien mothership, it’s come for me at last to take me home, ohmygodohmygod—no, er, wait, sorry, my mistake, as you were, it’s just the binmen reversing up the street. And, er, meanwhile, the goal was ruled offside…”
Though I still remember when I had my nervous breakdown a few years back, and was talking to the doctor, explaining all the circumstances that as I saw it had led me to my current situation. He heard me out, and asked some probing questions, and then asked me what I wanted at this point. I thought for a moment and then, as is my way, made a joke of what were really some pretty deep anxieties: I’d like, I said, to be able to watch Beauty and the Beast and get to the end without crying. And the wonderful doctor laughed uproariously, pushed his glasses up on top of his head, and said, “Ach, we’d all like to be able to do that! Maybe focus on something more achievable to start with…” And suddenly about 50% of my anxiety vanished.
Parish notices. Firstly, there’s still a couple of weeks left to enter the raffle to win a gansey hand-knitted by me. It’s all in aid of the Caithness Fishermen’s Mission, full details in last week’s post, but you can enter by clicking the “Buy Gordon a cuppa” button and making a contribution. Tickets are £1 for a strip of five tickets. If you leave a note saying it’s for the raffle we’ll email you back to tell you your numbers for the draw. And secondly, I’m giving a talk on ganseys to the Killimster Women’s Institute on Thursday night, which as ever seemed a good idea last summer when it was comfortably six months away…
Interesting clouds
There’s not much to say about the gansey this week, it’s pretty much a case of rinse and repeat. But it shows the value of just sticking at it, even if you don’t seem to be making a lot of progress, for I’m just about at the end of the body ribbing (8 inches from the welt) and in the next few days should start the chevron border that separates the body from the yoke pattern. Time to do some maths!
“Was there ever a winter so cold and so sad/ The river too weary to flood/ The storming wind cut through to my skin/ But she cut through to my blood…” That’s the opening of The Poor Ditching Boy, a song by the great Richard Thompson, an artist who’s probably never going to top the cheerfullest songwriter awards, and (except for the last line, he adds hastily) it’s been playing in my mind on a loop all week. Indeed, the BBC could have given their weather forecasters a holiday and just played the song each night. For winter laid its icy grip on Caithness for a few days, and it came as something of a shock.
Playing in the snow
Snow, ice, sleet, and hail all descended in a sort of wintery bingo jackpot, together with the horsemen of the apocalypse’s little-known nephew, ungritted roads. The first day or so of new snow is always an unexpected treat, when it covers everything and makes everywhere look exciting and new, it’s powdery and scrunches underfoot in a very satisfactory way, and walking sounds like you’re eating perfectly grilled toast, and everyone looks happy, like they’ve stepped out of the last act of The Muppet Christmas Carol. Then it thaws on top, and freezes overnight, and before you know it you’re damning the penguins’ Christmas skating party to blazes as you anxiously navigate the treacherous ice like someone walking a tightrope over Niagara Falls, and watching cars glide sideways down the road.
I imagine one day I’ll forget what it felt like when the tree at the bottom of the garden deposited a wadge of snow down the back of my neck: first there was an icy shock, then a not unpleasant tingling as it melted, then a cold worm of water slithering down my spine; it probably ended up pooling in my socks, though to be honest I rather lost touch with it somewhere around my sixth vertebra. Eventually all the snow and ice melts, of course, and turns to rain, with just a few sad pockets lingering as reminders under north-facing hedges or in the hollows of distant mountains. Still, soon it will be spring, and time to put aside the depressing Richard Thompson songs for something more cheerful. Here’s one: The Beatles singing Here Comes The Sun…
I’ve got a couple of parish notices this week. First of all, the navy blue Wick gansey (named after its original owner, George Bremner) I knit before Christmas in aid of the Caithness Fishermen’s Mission is now being raffled. I’d describe its size as Extra Large (it’s a nice, easy, comfortable fit on me, and I measure about 43 inches round the chest). Tickets are £1 each. If you want to take part, you can buy a ticket by paying us via Paypal. Simply click on the “buy Gordon a cuppa” button on the home page and make your contribution (n.b., please remember to leave a note that it’s for the raffle). We’ll allocate you a ticket number as soon as I get some from Jackie at the Fisherman’s Mission. The raffle will be open till 24 February, so there’s plenty of time. And let me say that I can’t think of a worthier cause for the gansey-appreciating community to support.
Also this week, I’m delighted to say that Penelope has been in touch to share a couple of ganseys she’s knit. Penelope’s been knitting ganseys for some years now, and of the two, one (in Frangipani ocean deep) is a Flamborough design taken from Gladys Thompson, a classic pattern classically realised, and the other (also Frangipani, wine-coloured) is her own design. Many thanks to Penelope for sharing these with us, and many congratulations on two fine-looking ganseys.
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TECHNICAL STUFF
I’m taking my time and working my way slowly up the body. It’s the ribbing that takes the time, of course, and I’ve included the pattern chart so you can see what’s going on; though it all concertinas up as you knit it, and does what ribbing is supposed to do. Once it’s washed and blocked the ribs will open out and reveal themselves. Meanwhile, in the immortal words of Chief Dan George in The Outlaw Josey Wales, I “endeavour to persevere…”
How are your New Year’s resolutions going so far? I made two: to try to learn a few phrases of conversational Japanese, and to squirt salt up my nose—though not, I have discovered after a messy period of trial and error, at the same time.
The Japanese is because we are occasionally visited at the archive where I work by members of their nuclear decommissioning industry, and I’ve often thought that it would be courteous to greet them in their own language. (Or, failing that, for languages are not my strong suit, something vaguely approximating it.) Though, knowing my luck, when the time comes I’ll forget all the lessons and will instead end up saying something I’ve picked up subconsciously from a Kurosawa samurai movie, and before I know it I’ll be whisked away to defend a village from a horde of bandits on horseback.
The salt-squirting thing is on the advice of the hospital consultant as a means of clearing out my nasal cavities, easing my cough, and probably giving her a jolly good laugh whenever she imagines me doing it. The procedure is a simple one. You boil a kettle of water each morning, pour out a jugful and add a certain quantity of salt and baking soda, stir and allow to cool, and then basically inject it up each nostril with a syringe. You do need a light touch, mind: press the plunger too hard and it can explode out of the other nostril like a burst fire hydrant, or even end up down the back of your throat. One time I looked up to find it had mysteriously sprayed across the mirror over the sink, leading me to conclude that either I’d missed the target completely, that my ears are more versatile than I’d imagined, or there’s another orifice in my skull for the ejection of excess fluids. Nobody told me middle age would be this much fun.
Quackers: Wigeon at the riverside
But now we have some very exciting news: we feature this month in the January edition of The Knitter magazine. It was a special commission last autumn: Graeme Bethune donated a couple of cones of his “gansey gold” Caithness yarn, I used it to knit a gansey on the sly, and Margaret turned it into a fully written-up pattern. I chose one of my favourite Caithness patterns, the Wick Leaf Pattern, and you can see the final version in all its glory being modelled, together with a Q & A session I did, in this month’s edition. I believe it goes on sale on this week on Thursday 19th, so my advice is to place your order now—or, Ima sugu chūmon suru as we say in Japanese. (Actually I have no idea if that’s accurate—I’m still on lesson one, Konnichiwa, “hello”—and I duly googled it. For all I know I’ve just accidentally volunteered to be a bodyguard to a feudal saki merchant, so just to be on the safe side, if you need me in the meantime I’ll be over at the village blacksmith’s, sharpening my katana…)
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